Velocity curves to match feel of a Yamaha KX-88 paired with Roland Sound Canvas SC-33 sampled pianos

BTW, here's an example of the issue I have for the way Apple Intelligence works. It tells me "To change the environment in Logic Pro 11.1, go to Logic Pro > Settings > Advanced > Additional MIDI Options". The fact (at least what I'm convinced as the fact) is that Advanced MIDI Options are enabled when you enable Enable Complete Features by ensuring that the check box next to Enable Complete Features has a check mark in it. Then you have to learn what MIDI options became available when you enabled Enable Complete Features. The way the instructions are stated, anyone other than a savvy user would be sent on a wild goose chase for Additional MIDI Options very similar to Homer Simpson's search for the "ANY" key.

Unfortunately, the sample blending, although better than in previous versions of the Logic Pro piano, is still not what it should be. Too many chromatically adjacent notes struck at similar velocities sound far too different to compare with dedicated midi sound modules. To illustrate my point, create a new Ballad piano channel, enable all three mics of the Studio piano and set them each to about 80, reduce the pedal noise to 30, the key noise to 35, the release samples to 60 and sympathetic res to 60. Assuming middle C is C4 (Roland rather than Yamaha), play with medium hard velocity (100 of 127) on a touch sensitive keyboard (preferably one that simulates weighted piano keys) a C#5 and then a D5. They sound similar only in the most general way.

Thanks! I’ll try that.

I’ve tried the Velocity processor, and I think it requires so much fine adjustment that I was looking for guidance with a method for either broader choices or sets of constraints.